![]() Kitty Carnage Warning! The cat appears to be extremely relaxed in the film and there may be a reason for that. Later the cat is seen lying on Gigi’s bed as she pets it.Īnd finally Gigi is in her room as she sings the song “Say a Prayer for Me Tonight” to the cat while awaiting her big date with Gaston. Whenever Gaston comes to visit, either Gigi or Madame Alvarez moves the cat to another chair. The cat lives in Gigi’s home where she lives with her grandmother, Madame Alvarez (Hermione Gingold) and is usually seen sitting in one of the chairs in their parlour. ![]() Synopsis: A rich, lush musical set in turn of the century Paris follows the story of a young girl named Gigi (Leslie Caron) who befriends a society playboy named Gaston (Louis Jourdan.) Their friendship evolves into something more as Gigi comes of age, but the expectations put upon them by society and Gigi’s guardians may end up tearing them apart.įeatured Feline: Although the Maine Coon cat seen in this film plays no direct part upon the proceedings (and doesn’t even have a name mentioned), it is seen so often we simply must give it a Featured Feline status. No one's demanding a new The Diving Bell and the Butterfly, but our four-pawed friends deserve so much better.Starring: Leslie Caron, Louis Jourdan, Hermione Gingold, Maurice Chevalier It's a call to action with no banner behind which to rally, sanitized to the point of being anodyne. That political clumsiness wouldn't be much of an issue if Gigi & Nate weren't a clear advocacy piece. Smith Goes to Washington, as Nate tries to convince Tennessee lawmakers not to ban assistance animals. And if anyone could be expected to bring at least some tension and texture it would be Hamm, the director of Irish political drama The Journey instead, the narrative descends to a community theatre version of Mr. ![]() It undercuts its own point when it comes to Gigi, who seems to be there mostly for cutesy sight gags. Lumpenly scripted by Friday Night Lights writer/producer David Hudgins, it's a baffling disappointment, one that rejects any nuance or even a hint of balance (Animal rights activists bad! Veterans, of whom there are many to simply serve as background set dressing, good!). It's an inexplicable change of pace for director Nick Hamm, who is better known for grittier material like Neil LaBute's Full Circle, and one could only wish there were even flashes of his better work. One long, predictable story about how we don't save animals, they save us. Of course they get hosed off the property by Diane Ladd as Southern grandmother stereotype Mama Blanche, who pops up to deliver folksy homilies – which is basically what this entire film is. They're rigid tut-tutting villains, led by Welker White as a cliche who gets a name but may as well by called Karen-Bot 3000. Hijinks and hilarity fit the somehow treacly feel-good vibe of the endless opening, but are wildly at odds with the rest of the story, in which a bunch of cartoon animal rights activists besiege Nate's affluent middle-class family in their gated home. ![]() ![]() Gigi literally does not leave her cage for the first hour, and only then to be chased around the house (or at least a CG version of the actual capuchin) by the family's hound. The dragging run time will make you yearn for the 90-minute brevity of a Hallmark Channel movie – which probably would have served the story better. Cherish those moments, because Gigi & Nate quickly becomes exactly what you fear it is. Veteran cinematographer Elliot Davis has worked with Steven Soderbergh and Spike Lee, and there's an undeniable flair in how he catches high schooler Nate (Rowe) out doing some cliff jumping with friends, a dive that leads to a shocking case of meningitis that leaves him paralyzed, which in turn leads to him getting an assistance monkey: a capuchin called Gigi. For a few, brief, shining minutes, man-meets-monkey feel-good family drama Gigi & Nate looks like it will push beyond its movie-of-the-week setup. ![]()
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